About

~LIZBETH RYMLAND~ Liz Blog * About * What's New * Lost Expedition * Primordial Parks * Rhythmic Arts * Demetrauma/Persephrenia * Strange Conditions * Alchemical Circus * Nightqueen * Lillith * Monstrosity * Illumines * Temple of Yes * Vanquished * Phenomenology * Poetry-Science * Harm Reduction *

About Lizbeth Rymland

Lizbeth Rymland graduated in 1981 from Sarah Lawrence College, where she studied cultural anthropology, metaphysics, shamanic theatre and poetry, then studied anthropology and film history in Paris at Barnard College. Coming back to the United States, she lived in a farming community in the Berkshires where she studied permaculture land design and biodynamic farming.

A pilgrim and student of folk psychiatry, Rymland has pilgrimaged in India, Indonesia, South America, and the American Southwest, studying and collaborating with folk psychiatrists. She also trained as a residential counselor to disturbed children at St. George Homes, a Jungian Treatment Center in Oakland, California.

Because of her interest in alchemy, in 1991 she co-founded Bioremediation Services in New Mexico, an enterprise dedicated to popularizing constructed wetlands for cleaning polluted lands and waters, did public relations work for Seeds of Change, a company dedicated to gene-pool conservation, and served as public educator on bioregional and watershed issues, working closely with the Huichol leader Jaime Pérez at the inception of the Agua Dulce Self-Help Project in El Paso, Texas.  This work involved the design of a training for county officials in sustainable-habitat land and shelter design. 

With Kenny Ausubel she coordinated the 2nd and 3rd Seeds of Change Conferences which led to the creation of the annual Bioneers conference in San Rafael California.  She is the founder of the Future Wilderness Project, in which a Mongolian-style Yurt was built from local materials and served as a meeting place for focus groups of teenagers and established mentors on subjects diverse as The Future of Perception and the Future of Sustainable Habitat.

At the Center for Contemporary Arts in Santa Fe, NM she curated exhibits requiring conceptual design and collaboration with four teams of artists and SW communities (Helen and Newton Harrison, Mel Chin, Wittenborn and Biegert, Mazeaud and Ikeda) who work as social catalysts on water and river issues. As an educational consultant, she has designed life-long learning environments  for ranch owners and  environmental programs for a  philanthropic organization informing sustainable resource designers and strategists on arid-lands exchanges in the American Southwest and the Middle East.

Working for two years in a think-tank called International Synergy Institute, she designed a strategy for converting CNN into a "corridor of familiarization, dreaming and barter of practical wisdom between cultures" called "Cross-Cultural Bartering Toward Alternative Futures: Electronic Dreamtime TV.”  When the institute moved from Los Angeles to New Mexico, she and her partner David Dunn founded Independent Media Labs, a cooperative of artists studios and businesses that thrived for ten years as a viable collective.

In addition to collaborating on botanical books and articles as well as filling artists’ commissions for her own poetry and libretti, Rymland contributed to a host of anthologies, including Psychedelic Shamanism,  Psychedelics Reimagined, and Plants of Power, as well as magazines: Shaman’s Drum, and Perspectives in New Music.  Her catalog of poetry is extensive.

In the year 1991-1992 she studied shamanism in Quito, Ecuador with Celso Fiallo, Taita Carlos Tanguila, Mama Juana Simbana, Taita Jose Alulema and Taita Jose Joaquin Pineda.   For four years subsequent to this travel, she facillitated a study group on entheogens, hosting various traveling medicine teachers in Santa Fe, New Mexico.

She worked for three years as an on-call mental health worker, a one-on-one acute care counselor, at Piñon Hills Hospital in New Mexico. Over the years she has also been identified as a performance artist and teacher of performance poetry to teenagers in New Mexico.

In the years 1998 through 2001, she ran an artist residency project in Brooklyn, New York called Earth with the acclaimed performance artist, Tehching Hsieh.  In New York she was employed by five philanthropic foundations as a consultant.

While in New York she completed two manuscripts, a poetry manuscript called Fugue States and a book of poetic non-fiction, a weave of many voices, called Strange Evolutionary Flowers.  She helped to establish a non-profit organization called Starseed Education Company for an Institute of Yoga and Shamanic Studies for their work in treatment centers, wrote grant proposals and revised a book for Dr. Andrew Tatarsky on compassionate Harm Reduction approaches to addiction treatment which was published in June of 2002.

From the summer of 2001- till late Summer, 2003, Rymland relocated to Prague and trained and taught cultural anthropology in English for the academic years at Charles University’s Academy of Sciences to classes of Ph.D. students.  While in Prague, she worked as a consultant for the Soros Foundation where she developed interdisciplinary conferences and coordinated these with her collaborator, Milos Vojtechovsky.

With Milos Vojtechovsky she developed a project called The Lost & Found Expedition, dedicated to creating nomadic interdisciplinary teams recording endangered knowledge throughout Eurasia while travelling in an streaming media bus. During this time she helped to manage the careers of master percussionist Hearn Gadbois and mediator and poet, Anice Jeffries, her close friends who joined her for the winter in Prague after 9/11 impacted their homes in downtown New York.

In the autumn of 2003 through the Summer of 2005, Liz taught writing and SAT preparation to Chinese American children and ESL language to Chinese and Taiwanese youngsters at Shareworld. Learning Center in San Jose. She is a consultant and co-owner of Ominipresent Sound Research and Development in San Jose.  She is founding member of Community Resource Alliance in Santa Cruz, California and is presently writing a book on Rhythmic Arts of Discovery, Remembering and Recovery, a book of rhythmic and physical lesson plans for teachers and parents.

Liminal Parks

To Central Park with Head Bobber

Yesterday I took my divining head bobber
On a mystery walk.
It was the first warm day after centuries of ice,
I would spend the entire first warm day,
walking in the sun, as a celebration…
I would use my head as a divining tool to make each decision for
directions
At each juncture, left or right.
The head bobs once for yes,
tugs gently from behind for No.
At first I thought I was headed
To Babes in Toyland to buy a vibrator but head bobbed no, not today,
maybe tomorrow, and took me numerous turns and all the way uptown.

And this is the way the walk was dowsed, for nearly 7 hours
Before I noticed I was headed for Central Park.

From the entrance to Central Park
Spirit guided me to perfectly poised perches
where the sun was most warm,
the view most fine,
and each proximate encounter
Spirit led me to
was just a  teaching whispering
as a message just for my heart
and to blow my mind,
from the Unique to the Unique
(as Lady Von Franz was apt to remember for us.)

The first stop was on a dock sheltered by a roof
of twisted boughs, where I sat on a flat bench
made from a softened tree trunk.

There were two geese before me, the goose
and the gander resting sweetly side by side,
with their beaks nestled behind them in their
wingdown as if napping in the sun together.

“You're suggesting I do what now?" I said
wryly
to Spirit
through eyesfullof tears,
because I am about to take off for the Monastery
for the month of April
and my long held and kept
celibacy vow has felt like a joyous rush
to communion with Mr. Mystere after a wild
ride with a series of mystere Mysteres
and one Maistresse, Maistress Devin, Ma Devi.

What a broken-open-to-blessing decade, what thirteen years!
I’d feel grateful to have had just that,
THANK YOU
Thank you.

And then,
various conversations took place
beside me, around me, various messages spoken
from the selves walking through the park
circling around and standing within earshot...

At the next sun warmed rockspot,
(we've been freezing here, freezing in fear here,)
I sat down
And soon observed the approach
of a man with a giant camera,
a telephoto lens,
He was with his womanfriend and they were close enough to
hear their conversation,
and this womanfriend wondered aloud to him about the geese
in their viewfinders,
She said….
“What is that headbobbing behavior
Do you see it?
What is the headbobbing behavior between the goose and the gander?
She was referring to the geese.
the gesture
shared discretely between goose and gander
as they gently paddled side by side.

This morning at the corner of Eldridge and Rivington,
where I live,
where the path of the Eldritch (wyerds, fairy folk)
cleanly and deftly cuts a way through the heaviness of Riving ton,
tonnage...
this morning at that corner
the firetrucks were gathered around the sparking steaming
street vents and manhole covers.

Maybe they were worried that
the manhole covers would blow from my backed up kundalini.

They won't blow today and I don't need to buy a vibrator
today either...
I recognized myself in the letter to our listserve
Of our friend as she wondered likewise
If  the twin towers came down
As a result of her backed up kundalini.
She tells us that she is a lover
Of double-headed serpents.
And I too
Wondered that way,
born on September 11th, 1959,
was I responsible?
Red Magnetic Dragon
The Justice Card
The Goddess Maat
Who weighs your heart against the counterweight of feather

As we come close
to Myth
We come close to MythxMyth...

The spinal column opens to soulrush
Open the Gordian knots, the Seven Seals,
the DNA strands want to unfurl
to twist and curl in the softening
warm breezes of the galactic songs,

And no big monster dinosaur of the agesold
technosphere Greed need fear in concrete holds...
need thrash its virus-pocked tail in terror

As these songs will be sung...
They Will Be Sung.

Lizbeth Rymland  c. Winter 2002

Contact:

Lizbeth Rymland *

Independent producer,
researcher, writer

santa cruz, ca 95060

lizrymland@hotmail.com

My Contact Information

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